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Now A.I.-based approaches are helping them do so perfectly. Good poker players have always known that they need to maintain a balance between bluffing and playing it straight.
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But he fought for my vision through a contentious process. “That’s very hard for a filmmaker to concede. “David had final cut,” said Gina Prince-Bythewood, who directed the film.
He pointed to Skydance-made movies like “The Old Guard,” a well-reviewed action fantasy that became a major hit for Netflix during the pandemic, drawing interest from 78 million accounts in its first month. Our content - the ideas, the execution - has become more important than our capital.” “There was a period of time where people just looked at us as money, and we knew that,” Mr.
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(Think “Mission: Impossible,” except with a female superspy.) Series in the works include a Netflix drama starring Arnold Schwarzenegger an adaptation of James Patterson’s “Alex Cross” crime novels for Amazon and an Apple TV+ comedy about residents of a small town who discover a destiny-predicting machine. Coming films include “The Tomorrow War” (Amazon), a $200 million science-fiction spectacle starring Chris Pratt, and “Heart of Stone” (Netflix), a $200 million action thriller starring Gal Gadot. Skydance has sold 29 movies and television shows to online platforms over the past two years. The pandemic supercharged home entertainment. So far, the result has been nothing short of remarkable, in part because Mr. And Skydance made a sharp turn toward streaming, selling attention-getting content to whichever service wanted to pay the most. He raised $275 million by selling 10 percent of Skydance to investors like RedBird Capital, a private investment firm, and CJ Entertainment, the Korean company behind the Oscar-winning “Parasite.” He lined up $1 billion in revolving credit through JPMorgan Chase. (Lanai, the Hawaiian island owned by his father, would do nicely.) Accustomed to floating through life, they seem unable to cope with anything less, especially if it means admitting missteps. Ellison typically sulk off to some luxury hideaway at this point in the script to nurse their wounds. Lasseter had apologized for “ missteps” that made some Disney-Pixar staff members feel “disrespected or uncomfortable.”) Lasseter (“Toy Story,” “Cars”) was radioactive at the time, having resigned seven months earlier as Disney’s chief creative officer amid #MeToo complaints about unwanted workplace hugging and imperious behavior. Ellison also enraged half of Hollywood by abruptly announcing in January 2019 that John Lasseter, co-founder of Pixar, would join Skydance as animation chief. Ellison posing on the Paramount lot with a billowing parachute strapped to his back - part invader, part lifesaver, all wealthy white guy entitlement. “The Kid Pays for the Picture” was the headline of a 2015 profile in GQ, which included a photo of Mr. Ellison had given up acting and by 2010 had become a financier and producer for Paramount Pictures, pouring $350 million of equity and debt into movies like “Star Trek Into Darkness” and “Mission: Impossible - Ghost Protocol.” But Hollywood snickered at his effort to be taken seriously as a creative force, as did the news media. But no matter: The scion was on Hollywood’s radar. Partly financed with Ellison money, “Flyboys” arrived to a disastrous $6 million in ticket sales.
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He had just dropped out of the University of Southern California to act in a $60 million movie called “ Flyboys,” a World War I aerial combat tale. Ellison couldn’t stop talking about his love of cinema, in particular big-budget spectacles. Ellison, the son of Larry Ellison, a co-founder of Oracle, sure looked like “dumb money.” That is the Hollywood term for a gullible, affluent outsider bitten by the movie bug, the type of investor that studios have long counted on to keep their assembly lines running, despite it almost always ending poorly (for the newcomer). LOS ANGELES - Fifteen years ago, when a 23-year-old David Ellison rolled into Hollywood with oodles of trust-fund cash, entertainment insiders licked their jackal lips: Oh, the fleecing we will do!